My work is concerned with the dramatisation of space, the constructions and illusions of peepshows, stage magic and scenery. I am curious about the role of the imagination and the complicity of the audience in suspending disbelief. In the 19th Century many devices of popular and home entertainment like toy theatres and peepshows used printed illustrations to create representations of actual stage shows, exotic places and famous events. In these now antiquated enclosed spaces of entertainment, with their fixed viewpoints, I have found a mixture of enchantment, mystery and voyeurism. Looking through an aperture or lens emphasises the act of looking, but are we always conscious of our crucial role in creating the vision before us?